Classics & Ancient History

In this course, Dr Emily Hauser (University of Exeter) provides a comprehensive introduction to Homer. In the first module, we think about the Iliad and Odyssey as ‘oral poems’ and consider this should impact how we read them. The following four...

In this course, Dr Sharon Marshall explores Virgil’s Aeneid through five key questions. In the first module, we think about whether the Aeneid should be read as a pro- or anti-Augustan poem. After that, we explore the nature of the relationship ...

In this course, Professor Philip Hardie (University of Cambridge) explores the sixth book of Virgil’s Aeneid. Beginning with a discussion of the place of Book 6 in the poem as a whole, we then go through the whole of Book...

In this course, Professor Barbara Graziosi (University of Durham) explores Homer's Odyssey. We begin by thinking about the figure of Odysseus himself, focusing in particular on his status as a man 'of many turns' (Greek: polutropos). After that,...

In this course, we explore several aspects of Virgil’s Aeneid – looking in particular at the following issues: first, Dido and Aeneas, and who we should blame for what happens; second, Augustus, and his influence on the Aeneid; third, Aeneas,...

In this course, Dr Emily Hauser (University of Exeter) explores the status and role of women in the Iliad and the Odyssey. In the first module, we think about why women matter in Homer, and the difficulty of recovering the experience of ancient...

In this course, we discuss four key themes in Homer's Odyssey. In the first module, we concentrate on the concept of oral poetry - the idea that the Odyssey was not originally written down, but passed orally from generation to...

In this course, Professor Richard Jenkyns (University of Oxford) explores Homer's Odyssey. We begin by thinking about the nature of the poem, focusing in particular on the nature of oral poetry and the Odyssey's relationship (if any) with the...

In this course, we explore several aspects of Homer’s Iliad. The course begins with a consideration of one of the most fundamental questions asked of the Homeric epics – the so-called Homeric Question – which asks whether the Iliad was...

In this course, Professor Llewelyn Morgan (University of Oxford) explores Virgil's Aeneid. In the first module, we think about the theme of the city in the poem, focusing in particular on the centrality of the city of Carthage, the use...

In this course, Professor Llewelyn Morgan (University of Oxford) explores Book 11 of Virgil’s Aeneid. In the first module, we think about Book 11 in relation to its position within the epic as a whole, focusing in particular on its relation to the...

In this course, Professor Barbara Graziosi (Durham University) explores Homer’s Iliad. In the first module, we focus on the so-called ‘Homeric Question’, focusing on how and when the poem was composed, who composed it, as well as what it was...

In this course, Professor Llewelyn Morgan (University of Oxford) explores Book 10 of Virgil's Aeneid. In the first module, we consider the council of gods that opens the books, a supremely impressive occasion, no doubt, but one in which precisely...

In this course, Professor Richard Jenkyns (University of Oxford) explores the theme of characterisation in Homer's Iliad, focusing in particular on fourteen key characters. In the first module, we think about what we mean by the terms 'character'...