Monodrama

About the lecture

When Maud was first published, its full title was ‘Maud; A Monodrama’. In this module, we consider the concept of ‘monodrama’ —what does this term mean, and does it affect the way we read the poem?

About the lecturer

Seamus' interests are principally in the field of English Romantic poetry and thought, especially Coleridge and Wordsworth, and in post-Romantic English poetry, especially Tennyson, Eliot, Auden, Larkin, and their circles. He also has an interest in the modern history of criticism, reflected in articles on A.C. Bradley, William Empson, F.W. Bateson, and M.H. Abrams. He is co-editor, with Christopher Ricks, of the journal Essays in Criticism: A Quarterly Journal of Literary Criticism (OUP), and the general editor of the new series, 21st-Century Oxford Authors (OUP). He often reviews for the Times Literary Supplement, the London Review of Books, and the Literary Review. He is also Fellow Librarian of Balliol.