Classics

The history, literature, culture, philosophy and languages of Ancient Greece and Rome.

Classics

Greek and Latin Metre

Greek and Latin Metre

In this course, Professor Armand D’Angour (University of Oxford) introduces some of the more popular metrical forms of Greek and Latin poetry. In the first module, we look at dactylic hexameter, the metre used in Greek and Roman epic poetry....

Dr Armand D'Angour

Oxford University

Classics

Euripides: The Bacchae

Euripides: The Bacchae

In this course, Professor Richard Seaford (University of Exeter) explores Euripides' great tragedy, The Bacchae, which ends with the king of Thebes, Pentheus, being torn to pieces by his own mother, Agave. In the first module, we think about the...

Prof. Richard Seaford

Exeter University

Classics

Sophocles: Oedipus Tyrannus

Sophocles: Oedipus Tyrannus

In this course, Dr Rosie Wyles (University of Kent) explores Sophocles' Oedipus Tyrannus. In the first module, we think about where Sophocles chooses to start the story and how it proceeds, compared to other versions of the myth. After that,...

Dr Rosie Wyles

Kent University

Classics

Sophocles: Antigone

Sophocles: Antigone

In this course, Professor Edith Hall (King’s College, London) explores Sophocles’ great tragedy, Antigone. Having situated the play in its historical and geographical context, we spend some time introducing the key characters in the play—the two sisters, Antigone and Ismene,...

Prof. Edith Hall

King's College, London

Classics

Aeschylus: Agamemnon

Aeschylus: Agamemnon

In this course, Dr Oliver Thomas (University of Nottingham) explores Aeschylus’ Agamemnon, the first part of Aeschylus’ great trilogy, the Oresteia, which was first performed in Athens in 458 BC. After a brief introduction to the trilogy as a whole,...

Dr Oliver Thomas

Nottingham University

Classics

Euripides: Hippolytus

Euripides: Hippolytus

In this course, Dr James Morwood (University of Oxford) explores Euripides’ Hippolytus, a play in which the goddess Cypris, takes revenge on Hippolytus for his refusal to worship her. As we move through the course, we focus on six scenes...

Dr James Morwood

Oxford University